Kentucky musician and composer Ben Sollee, has been blurring boundaries with his musical style and career for nearly two decades – his latest album, Long Haul (2024) is no exception. Drawing on tonal influences from the American and global south, Sollee’s vocals and unique cello style thread through each track binding seemingly disparate chapters of his journey – the Long Haul.
After his last album in 2017, Sollee took a break from touring to grow his family and deepen community connections in Louisville, KY. Now a father of three, Sollee has leaned into his work as a composer; scoring films such as LAND from director Robin Wright, and Maggie Morre(s), a John Slattery film featuring Tina Fey and Jon Hamm. He also scored the podcast series Unreformed, which was recently nominated for a Peabody Award. Outside of music, Sollee helped launch the non-profit Canopy, which supports Kentucky businesses positively impacting their communities and planet.
Like so many, the COVID-19 pandemic years, which Sollee refers to as “the great pause,” brought loss and grief. The deaths of his mentor Jon Rieger, his father Bob Sollee, and his long-time musical partner Jordon Ellis presented him with opportunities for reflection and growth. This in turn, gives the new record a sense of buoyancy, a feeling of rising out of a depth, seven years coming.
The title track “Long Haul” tells the story of Sollee’s nearly two year struggle with long-COVID. The lyrics paint in broad strokes and are relatable to anyone who’s been forced – for whatever reason – to shift their relationship to their body. He sings, “I didn’t know how rich I was until this poverty,” lilting up to a high note letting us know he’s embraced and grown from the experience. “I realized I had a very exploitative relationship with my body and my creativity,” says Sollee. “I realized the most radical thing you can do is to care for yourself; not in some optimized, individualistic way, but as an aspect of nature and society” Serving as the album’s title, “Long Haul” takes on a universal meaning as a journey that we’re all on together.
Other creatives featured on the album include Grammy-nominated Jason Clayborn and the Atmosphere Changers, Stuart Bogie who arranged and performed the winds and horns, bassist Alana Rocklin, of STS9, long-time friend Dan Dorff on keys and drums, and multi-instrumentalist Brandon Coleman. Kentucky-based artist Ceirra Evans painted the album cover. The image features a man sauntering along a winding path through Eyvind Earle-esque woods. It conveys a sense of wonder and flow, similar to the record, with the man distinctly in the middle of his journey – constantly arriving, but not yet finishing – on a long haul.
