With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet.  All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain. 

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain; a failed marriage; and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.

That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.

Mona Awad is the author of 13 Ways of Looking at a Fat Girl and Bunny, named a Best Book of 2019 by Time, Vogue, and The New York Public Library, a finalist for the New England Book Award, and currently in development as an AMC series written by Megan Mostyn-Brown. She has published work in The New York Times Magazine, Time, VICE, Electric Literature, McSweeney’s, and elsewhere.